LOOKBOOK

SPRING – SUMMER

SPRING – SUMMER

TANGIER. One couldn’t help being reminded of the works of Howard Hodgkin. But like the city to which it’s name derives. The blending of cultural dynamics between Africa and Europe is given a distanced electronic sensibility. Beautifully seductive colours juxtaposed against calming midtones of serenity and graphic explosions of pure saturated pigments.

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SPRING – SUMMER

SPRING – SUMMER

SWARM. Dense Bit-screens breakdown the behavioural characteristics of the block forms that move inside the Vortex. Highly disruptive composition cuts through the Swarm to reveal the new life forms. Unique Copper Bit forms float across the surface of the combed Cotton which is finished with a flat Tourmaline black pigment.

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SPRING – SUMMER

SPRING – SUMMER

SUPREMIUM. As this design was developed, a nod was given to the Russian Avant Garde art movement of Suprematism. Geometric forms held in and out of balance to create unsymmetrical tension. Fine textural line work draws the eye across the surface with comb-like uniformity, coliding into multiple granular structures. Copper Bit dust is added for ultra fine top notes.

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SPRING – SUMMER

SPRING – SUMMER

OSCILLATE. The natural rhythm of the surface pattern is roughy cut to create varying layers of frequencies. Jagged black layers of ink run along the bias to emphasise the high quality white combed Cotton in the negative space. Copper Bit dust is overlaid in data packets which have naturally occurring dropouts and irregularity.

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SPRING – SUMMER

SPRING – SUMMER

NIGHTSCAN. The beauty of Bio Luminescence and the experience of the early hours of a morning in an electric city became the inspiration for this original Bitflek reflection pattern. Irregular and naturally occurring structural design is printed on a soft glow Polyester fabric to bring the seductively vibrant Electric Blue pigment to life.

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